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<blockquote data-quote="John Czajkowski" data-source="post: 345" data-attributes="member: 21"><p>I have one and it reminds me more of a creamier red channel of an Ecstasy (which I used to own and sold in a fit of stupidity). I have not played through an Uberschall, so maybe that?s it. It has less dynamic punch than the Erect and more all-around body than the SL2. I have all three and they are three very different sounding channels. I love them all. The cool thing about the Modern is the ability to get that violin thing going on. I have some crappy samples on my website of them in the Machines section, but my favorite recorded tone of the Modern I have done is on the solo for our tune <em>Subterranean Rapid Transit</em> towards the end of the tune. There is a bit of harmonizer on there, but you get the idea.</p><p></p><p>Oh ya, Frank is Bruce?s magic elf. He is super cool and super helpful. Just remember they don?t have tons of those modules sitting around in boxes like the MTS, so they may take a while to get to you.</p></blockquote><p></p>
[QUOTE="John Czajkowski, post: 345, member: 21"] I have one and it reminds me more of a creamier red channel of an Ecstasy (which I used to own and sold in a fit of stupidity). I have not played through an Uberschall, so maybe that?s it. It has less dynamic punch than the Erect and more all-around body than the SL2. I have all three and they are three very different sounding channels. I love them all. The cool thing about the Modern is the ability to get that violin thing going on. I have some crappy samples on my website of them in the Machines section, but my favorite recorded tone of the Modern I have done is on the solo for our tune [i]Subterranean Rapid Transit[/i] towards the end of the tune. There is a bit of harmonizer on there, but you get the idea. Oh ya, Frank is Bruce?s magic elf. He is super cool and super helpful. Just remember they don?t have tons of those modules sitting around in boxes like the MTS, so they may take a while to get to you. [/QUOTE]
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