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Modular Amps
Rigs & Tones
HWM LIVE: Little Black Baby Jesus and Sacred Waterhsed
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<blockquote data-quote="John Czajkowski" data-source="post: 6318" data-attributes="member: 21"><p>Thanks guys,</p><p></p><p>To try to nail the EJ tone as far as the gear goes is going to take a medium fuzz (like a Fulltone '69) on a Marshall medium-gain channel like the SL, ie4 ch 3 or even the SL2 A at a low gain setting. You really have to watch the presence on the power amp too. I am NOT doing this here. I do when we cover some EJ tune though!</p><p></p><p>1. For my lead tone here, it is the single coil on the Ernie Ball Steve Morse model (which is not at ALL like a Strat bridge pickup - more like a Tele). </p><p>2. Straight into (via the Switchblade) the M4 MHG channel B (bright switch 2, bass switch 2, Bass 11:00, Middle 10:00, Treble 1:00. Master volume 12:00.</p><p>(after this there is a Decimater noise gate, but it fried on me before the gig, but I didn't have time to replace it since it is patched into my Switchblade, so it is just on bypass - a little tone suck, but not much)</p><p>3. VHT 2-50-2 Low power, class A/B) Presence 2:00, Depth 1:00, warm voicing. Volume at 2:00!</p><p>4. 2x12 Earcandy with Eminence Swamp Thang and Governor. The engineer mic'ed the Swamp Thang with SM57, but I don't know what mic pre he ran it though. This is really important, but it was total chaos before the gig, so I just never go around to asking him.</p><p></p><p>After talking to Frank recently, I'm seriously jonesing for a MOD 50 head for live stuff. :twisted: or actually, I guess it is more like :roll:</p></blockquote><p></p>
[QUOTE="John Czajkowski, post: 6318, member: 21"] Thanks guys, To try to nail the EJ tone as far as the gear goes is going to take a medium fuzz (like a Fulltone '69) on a Marshall medium-gain channel like the SL, ie4 ch 3 or even the SL2 A at a low gain setting. You really have to watch the presence on the power amp too. I am NOT doing this here. I do when we cover some EJ tune though! 1. For my lead tone here, it is the single coil on the Ernie Ball Steve Morse model (which is not at ALL like a Strat bridge pickup - more like a Tele). 2. Straight into (via the Switchblade) the M4 MHG channel B (bright switch 2, bass switch 2, Bass 11:00, Middle 10:00, Treble 1:00. Master volume 12:00. (after this there is a Decimater noise gate, but it fried on me before the gig, but I didn't have time to replace it since it is patched into my Switchblade, so it is just on bypass - a little tone suck, but not much) 3. VHT 2-50-2 Low power, class A/B) Presence 2:00, Depth 1:00, warm voicing. Volume at 2:00! 4. 2x12 Earcandy with Eminence Swamp Thang and Governor. The engineer mic'ed the Swamp Thang with SM57, but I don't know what mic pre he ran it though. This is really important, but it was total chaos before the gig, so I just never go around to asking him. After talking to Frank recently, I'm seriously jonesing for a MOD 50 head for live stuff. :twisted: or actually, I guess it is more like :roll: [/QUOTE]
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HWM LIVE: Little Black Baby Jesus and Sacred Waterhsed
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